The Magic Fish-bone

The Magic Fish-bone* (cover art)
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
The Admonishment*
1997
Dimension: 
7" x 5"
Medium: 
Oil and French Grey pencil on paper
Alicia's Toys
1997
Dimension: 
10" x 17"
Medium: 
Oil and French Grey pencil on paper

Description: The toys were authentic Victorian playthings, included in the Queen Anne Cottage museum at the Los Angeles County Arboretum

Coach and Four (Peacocks)
1998
Dimension: 
22" x 35.5"
Medium: 
Oil and French Grey pencil on paper

Description: Appearing as the village in the book was the Queen's Market Place, an open mall designed to look like an English Village. The coach was an authentic Victorian landau donated for modeling by a coach company in Arcadia, Ca.

Downstairs, Upstairs*
1997
Dimension: 
14.5" x 17"
Medium: 
Oil and French Grey pencil on paper
The King and His Family*
1998
Dimension: 
22" x 35.5"
Medium: 
Oil and French Grey pencil on paper

Description: Several of the children in this piece were used twice and even three times to accomplish the number of royal sons and daughters. The artist's son, Lukas, in fact, is seen twice in this piece, including as the bubble-blowing boy, a role he played throughout the book. The artist’s daughter, Lily, is the youngest child swaddled in the yellow blanket.

The Little Parade
1998
Dimension: 
10" x 35"
Medium: 
Oil and French Grey pencil on paper

Description: In the collection of Jane Kaczmarek

The Little Wedding
1998
Dimension: 
18" x 36"
Medium: 
Oil and French Grey pencil on paper

Description: In the collection of the Mel Gibson family.

The Runaways*
1998
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
Secrets
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper

Description: The doll was an authentic Victorian wax doll, lent by a collector who also posed as the sailor in the painting "The Runaways."

Waiting To Be Ninety
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
The Dreadful Snapping Pug*
1999
Dimension: 
22" x 17"
Medium: 
Oil and French grey pencil on mounted paper
Toss and Gulp*
1999
Dimension: 
18" x 23"
Medium: 
Oil and French grey pencil on mounted paper
The Magic Fish-bone* (cover art)
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
The Admonishment*
1997
Dimension: 
7" x 5"
Medium: 
Oil and French Grey pencil on paper
Alicia's Toys
1997
Dimension: 
10" x 17"
Medium: 
Oil and French Grey pencil on paper

Description: The toys were authentic Victorian playthings, included in the Queen Anne Cottage museum at the Los Angeles County Arboretum

Coach and Four (Peacocks)
1998
Dimension: 
22" x 35.5"
Medium: 
Oil and French Grey pencil on paper

Description: Appearing as the village in the book was the Queen's Market Place, an open mall designed to look like an English Village. The coach was an authentic Victorian landau donated for modeling by a coach company in Arcadia, Ca.

Downstairs, Upstairs*
1997
Dimension: 
14.5" x 17"
Medium: 
Oil and French Grey pencil on paper
The King and His Family*
1998
Dimension: 
22" x 35.5"
Medium: 
Oil and French Grey pencil on paper

Description: Several of the children in this piece were used twice and even three times to accomplish the number of royal sons and daughters. The artist's son, Lukas, in fact, is seen twice in this piece, including as the bubble-blowing boy, a role he played throughout the book. The artist’s daughter, Lily, is the youngest child swaddled in the yellow blanket.

The Little Parade
1998
Dimension: 
10" x 35"
Medium: 
Oil and French Grey pencil on paper

Description: In the collection of Jane Kaczmarek

The Little Wedding
1998
Dimension: 
18" x 36"
Medium: 
Oil and French Grey pencil on paper

Description: In the collection of the Mel Gibson family.

The Runaways*
1998
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
Secrets
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper

Description: The doll was an authentic Victorian wax doll, lent by a collector who also posed as the sailor in the painting "The Runaways."

Waiting To Be Ninety
1997
Dimension: 
22" x 17"
Medium: 
Oil and French Grey pencil on paper
The Dreadful Snapping Pug*
1999
Dimension: 
22" x 17"
Medium: 
Oil and French grey pencil on mounted paper
Toss and Gulp*
1999
Dimension: 
18" x 23"
Medium: 
Oil and French grey pencil on mounted paper

Original art is available for purchase and is marked with an asterisk (*). Please inquire through the contact page.

Harcourt, 2000

The Dickens Fellowship, London
Jan. 31, 2000

(This) new edition, so attractively and wittily illustrated by Robert Florczak, cannot fail to appeal to a new generation of readers. Charles Dickens himself would have been delighted to see Alice Rainbird's romance so beautifully realised.

 


 

School Library Journal
Fall 2000

Dickens' marvelously descriptive turns of phrase and Florczak's pencil and oil illustrations bring to life this story of an endearing and rambunctious Victorian family. The realistic tintype complexions and meticulous outlines of the characters play against detailed backgrounds that artfully blend the prosaic with the fantastic. Unusual and beautifully rendered in words and pictures, this is a fine addition to a unit of literary fairy tales, a droll introduction to Dickens, and an example of purely entertaining wish fullfillment.

 


 

Publishers Weekly
October 9, 2000

Glowing color illustrations by Robert Florczak infuse the Victorian setting with just a hint of romance, while the dramatic perspectives and use of silhouettes are coolly contemporary.

 


Booklist
January 1, 2001

...a fantasy...as interpreted in Florczak's lively and suitably stylized illustrations. The characters are depicted with a soft-edged realism that sometimes has the quality of tinted photographs, while the colors, settings, and composition are more reminiscent of an old volume of nursery rhymes. A quirky but amusing interpretation of Dickens' tale in a handsome, large format book.